Sonic criticality | audiopapers | London Voices x Sound Archives

Sonic criticality | audiopapers | London Voices x Sound Archives
19 grudnia 2024/ online

How can sound trouble and augment how we think, combine, and produce scholarship? What are the politics of a sound archive? How can audiopapers challenge and pluralise knowledge conventions?

We invite you to join our discussion, chaired by Antoni Michnik, on audiopapers with Salomé Voegelin, David Mollin, and Marta Michalska, who will share their thoughts on possibilities, inspirations and challenges of sonic criticality.

David Mollin and Salomé Voegelin are lecturers on BA and MA Sound Arts at the London College of Communication, University of the Arts London. Their fascinating introduction to the possibilities of audio papers, together with 5 thought-provoking examples of students’ works, are available under the “London Voices” title in Glissando magazine (https://audiopapers.glissando.pl/category/london-voices/). Marta Michalska is the editor-in-chief of the latest Glissando audiopaper issue on Sound Archives (https://audiopapers.glissando.pl/category/archiwa-dzwiekowe/).

This mini symposium engages sound in its knowledge possibilities and speculates on how to think and articulate the world from the sonic. It engages in the opportunity of the audio paper for conventional scholarship, and its role in artistic research.

Join us in this important and timely discussion!

The meeting will be held on Zoom.

Please write to Natalia Glinka-Hebel (natalia.glinka.hebel@glissando.pl) to sign up and receive a meeting link (you can also reach out to her in case of any questions). We will email you the meeting link on 19 December during the day.

ꜱᴀᴠᴇ ᴛʜᴇ ᴅᴀᴛᴇ

Audiopaper projects thrive on collaboration and diversity. They would not be possible without plural and shared efforts from many people in different places, engaged in the format’s different potentialities. We understand the December mini symposium in this varied and plural context and make no claim to be sole authors or curators of the format.

For these reasons, we wish to invite you to a second mini symposium in January, which will involve more guests, authors, and artists from both projects to broaden and pluralise the discussion. More info coming soon!

ɢᴇᴛᴛɪɴɢ ʀᴇᴀᴅʏ

Before the meeting we encourage you to read and listen to the introductory texts of both London Voices & Sound Archives:

Audio papers: an introduction. Slowing down and breaking up of scholarship into the deliberate vagueness of sonic criticality: https://audiopapers.glissando.pl/audio-papers-an…/

Sound Archives editorial: https://audiopapers.glissando.pl/wstepiak-editorial/

On top of that you are more than welcomed to get yourself acquainted with a full content of these two audiopaper projects:

London Voices: https://audiopapers.glissando.pl/category/london-voices/

Sound Archives: https://audiopapers.glissando.pl/category/archiwa-dzwiekowe/

ᴍᴇᴇᴛ ᴏᴜʀ ɢᴜᴇꜱᴛꜱ

Salomé Voegelin – a writer, researcher and practitioner engaged in listening as a socio-political practice. She is concerned with Designing a Sonic Planet: taking the invisible and relational as a starting point to employ musical and sonic sensibilities to re-imagine the world from its indivisibility, avoiding taxonomies and a linear cartography by working with a fuzzy geography. She writes articles and papers, books and texts and text-scores for performance and publication. Her most recent book “Uncurating Sound: Knowledge with Voice and Hands” (2023) moves curation through the double negative of ‘not not’ to uncuration: untethering knowledge from the expectations of reference and a canonical frame, and reconsidering art as political not in its message or aim, but by the way it confronts the institution. Since 2008 she collaborates with David Mollin in a practice that reconsiders socio-political, architectural and aesthetic actualities and sites from the blindspots of a leaky vision, and the possibilities of sound, things,

Data: 19 grudnia 2024
Miejsce: online 

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