Wydarzenia konferencje

International Online Conference on RENEWABLE MUSIC

Początek
wtorek, 15 października 2024
godz. 10:45

Koniec
czwartek, 17 października 2024
godz. 18:00

Miejsce
online

online

International Online Conference on RENEWABLE MUSIC
15–17 października 2024/ online

Organised by the Polish Composers’ Union in collaboration with partners from the Visegrad Group, the INTERNATIONAL ACADEMIC CONFERENCE ON RENEWABLE MUSIC will be held FULLY ONLINE on 15-17 October 2024. Participation in the conference is FREE, registration opens on 1st October 2024.
With 2 keynotes, 8 sessions and almost 30 contributions from all over the world (including Austria, Brazil, Czechia, France, Georgia, Hungary, the Netherlands, Poland, Slovakia, Spain, the United States), the conference provides a forum of exchange between scholars inspired by the idea of ‘renewability’ in music. The term ‘renewable music’ was coined in reference to ‘renewable resources’, aiming at focusing attention on the global sustainability crisis and encouraging dialogue on this subject in the contemporary music community.
PROGRAMME OVERVIEW
BOOK OF ABSTRACTS
REGISTRATION
https://renmus.eu/index.php/conference-information/
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DAY 1 | 15 October (Tuesday)
Conference Opening: Welcome Speech (10.45-11.00 a.m)
Keynote Speech (11.00-12.00 p.m.)
Chaired by: Sławomira Żerańska-Kominek
Prof. Makis Solomos (University Paris 😎
Music, Ecologies and Degrowth. A Few Paths to Explore
Session 1 (12.00 – 2.00 p.m.)
Chaired by: Oľga Smetanová
Diana Milena Acosta Cruz (Prince Claus Conservatorium, Groningen)
The Wonders of the Forest: a Journey of Self-Discovery Across Nature, Sound and Time
Eka Chabashvili (Tbilisi State Conservatoire)
Principles of Eco-Music Composition and ‘Sound Oases’
Maya (Maka) Virsaladze (Tbilisi State Conservatoire
Performance of Eco-Music Composition in Urban and Non-Urban Spaces
Gvantsa Ghvinjilia (Tbilisi State Conservatoire)
Eka Chabashvili’s ‘Silkworm Butterfly’s Wisdom’: A Nano Eco-Cantata Addressing the Challenge of Sustainable Development
Session 2 (3.30 – 5.00 p.m.)
Chaired by: Gvantsa Ghvinjilia
Daria Jabłońska (The State Primary and Secondary Music School in Zduńska Wola)
Overhearing the World Around. On Ecology of Music, Renewable Music, Soundscapes and Ear Training
Sabine Feisst (Arizona State University)
Sustaining Sonic Futures through Understanding Hidden Acoustic Ecologies
Celia Yang (Arizona State University)
Harmony in Sound and Space: Exploring the Synergy of Acoustic Ecology and Renewable Music in Contemporary Listening Practices
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DAY 2 | 16 October (Wednesday)
Keynote Speech (10.00-11.00 a.m.)
Chaired by: Mieczysław Kominek
Prof. Marek Chołoniewski (Krzysztof Penderecki Academy of Music in Krakow)
Renewable Music from a Rhizomatic Perspective
Session 3 (11.00 – 1.00 p.m.)
Chaired by: Paweł Siechowicz
Csaba Hajnóczy (Moholy-Nagy University of Art and Design Budapest)
Field Recording Based Sound Art in Hungary
Małgorzata Heinrich (University of Warsaw)
Hildegard Westerkamp’s ‘Beneath the Forest Floor’ and its Graphic Analysis. Regrowing the Relationship Between Human, Nature, Society, and Self
Katarzyna Bartos (Karol Lipiński Academy of Music in Wrocław)
Depicting Japanese Soundscapes in Grażyna Pstrokońska-Nawratil’s ‘Słowik i kamień’
Barbara Mielcarek-Krzyżanowska (Feliks Nowowiejski Academy of Music in Bydgoszcz)
‘Silence is the Gathering of Voices’ (Norwid). Sources of Sounds in Stefan Węgłowski’s Music
Session 4 (2.00 – 3.30 p.m.)
Chaired by: Mateusz Bień
Hakan Ulus (Gustav Mahler Private University for Musik Klagenfurt)
The Poly-Work as a Compositional Strategy
Marcílio Onofre (Universidade Federal da Paraíba – UFPB, Brazil)
Eco-Ekphrasis: Revisiting, Recycling and Renewing Ideas from Different Artistic Expressions to Music
Kristýna Švihálková (Janáček Academy of Music and Performing Arts in Brno)
Greenterview: A Home Plant as a performer
Session 5 (4.00 – 5.30 p.m.)
Chaired by: Barbara Mielcarek-Krzyżanowska
Anna Wójcikowska (Grażyna and Kiejstut Bacewicz Academy of Music in Łódź)
Bogusław Schaeffer’s Quartet SG (re)interpreter by the Warsaw Music Workshop: ‘Open Performance’ Viewed as Upcycling Composer’s Ideas
Katarzyna Figat (Feliks Nowowiejski Academy of Music in Bydgoszcz)
Music Granar: the ‘Second life’ of Polish Theatre Music
Wojciech Kwapisiński
The Theory of Music of Jean Jacques Rousseau and Pierre Schaeffer in the Context of Improvised Music
___________________________
DAY 3 | 17 October (Thursday)
Roundtable: Sustainability in Leading International Projects
(10.00 – 11.00 a.m.)
Chaired by: Agnieszka Cieślak-Krupa
Chaired by Agnieszka Cieślak-Krupa
Mieczysław Kominek, Eva Kesslová, Oľga Smetanová, Béla Simon
Ian Mikyska, Katarzyna Krzewińska, Máté Balogh, Samuel Hvozdík
Session 6 (11.00 – 12.30 p.m.)
Chaired by: Eva Kesslová
Oľga Smetanová
The Satisfaction of Classical Music Composers with the Institutional Support of Their Work
Cristina Pérez-Ordóñevz (University of Malaga)
Recognising Environmental Sustainability in Live Music: The Case of the International Greener Festival Awards
Krzysztof Marciniak (Ecological Folk High School in Grzybów)
Ecoestetics of the Money Made on (Sound) Art Projects
Session 7 (2.00 – 3.30 p.m.)
Chaired by: Béla Simon
Jakub Kopaniecki (Adam Mickiewicz University in Poznań)
Sustainability of the Local Music Scene in the Post-Pandemic Era. Outdoor Possibilities for Indoor Community
Jagoda Szmytka (mdw – Universität für Musik und darstellende Kunst Wien)
Sustainable Scores. Notes on the Potential for Fostering a More Versatile and Inclusive Compositional Practice Through Renewal of Musical Notation
Grzegorz Samson (Feliks Nowowiejski Academy of Music in Bydgoszcz)
Approaches to Renewable Music Using Generative Pre-Trained Transformer Networks
Session 8 (4.00 – 5.30 p.m.)
Chaired by: Sabine Feisst
Paweł Siechowicz (University of Warsaw
Music as Renewal; Musicking as Recycling. An Essay in Music Ontology and Economy
Mateusz Bień (Krzysztof Penderecki Academy of Music in Krakow)
New Life for Old Electronics
Martyna Kopeć (Nicolaus Copernicus University in Toruń)
Bending Circuits, Resurrecting Sounds: The Ecological Dimensions of Circuit Bending
Conference Closing: Closing Speech (5.30-5.45 p.m.)
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Media patrons: Polish Music Information Centre POLMIC, Glissando Magazine, Dwójka.
Project Partners: Polish Composers Union, Orchestr Berg (CZ), Waves Bratislava, UMZE Association (HU).
Funded by the European Union. Views and opinions expressed are however those of the author(s) only and do not necessarily reflect those of the European Union or European Commission. Neither the European Union nor the granting authority can be held responsible for them.
Co-financed by the Minister of Culture and National Heritage from the Culture Promotion Fund – a special purpose state fund.

Data:15–17 października  2024
Miejsce: online

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