When the Hammer Hits the String: “Quiet Music” As Performed by American Pianist Ashlee Mack
Soft interlocking tones. Notes in the upper and lower registers of the piano. Patterns that repeat, then subtly change. The […]
Soft interlocking tones. Notes in the upper and lower registers of the piano. Patterns that repeat, then subtly change. The […]
The room is covered in grass, including the walls and ceiling. The sound is louder now, and you walk towards it. It’s a soft and tender sound of someone slurping soup. But in a cute way.
The Heroines of Sound festival has always been dedicated to spotlighting women who push the frontiers of electronic music. By […]
Piotr Tkacz-Bielewicz: If you could choose a year that you were born in – which would that be and also where? […]
Dziś ujawniamy trzecią i ostatnią odsłonę numeru irańskiego. Znalazły się tu teksty Mehrdada Gholamiego o muzyce symfonicznej, Karoliny Cieślik-Jakubiak o scenie Tehrangeles […]
Bogdan Raczynski is one of those peculiar musicians that I like to put in the category of “Little Masters” (with a nod […]
Since 2015, research and theory have been increasingly present at Berlin's MaerzMusik festival. Until last year, this was achieved through the daily discursive format known as Thinking Together. This year, the festival introduced a new format — the Library of MaerzMusik — an open space for exchange, encounters, and personal study.
Prezentujemy dzisiaj pierwszy blok materiałów w ramach naszego hybrydowego numeru irańskiego.
Contemporary music magazine „Glissando” invites you to contribute to the upcoming #43 issue on Diversity. Curating. Contemporary music and sound […]
Glissando #D: Głos/nik Call for Audio Papers | ENGLISH BELOW Termin nadsyłania abstraktów: 31.01.2023 Termin na gotowe podcasty: 31.03.2023 […]