His works refer to alternative human machine interaction and the approach to create integrated and universal communication systems. He analyzes and reveals phenomenons of perception versus reality and principles of abstract aesthetics with audio-visual installations. The creation of experimental soundscapes and the relation of semiotics and sound are further aspects of his work. Meet Andreas Lutz.
Feminist readings of 20th-century electronic music history cannot avoid questioning the notion of canon and canon-oriented historiographical practices. Shedding light on women composers from non-Western contexts can further come in handy in searching for ways to engage with the history of gender in music beyond mainstreaming and the rhetoric of exceptionalism.
I wanted to ask about your newest project – Don Giovanni’s Inferno. This is the third and perhaps the most […]
Kathryn Williams is a flautist and educator based in Manchester. A core member of The House of Bedlam, she has also performed […]
Glissando Call for Audio Papers: Archiwa dźwiękowe (red. prow. dr Marta Michalska)
Soft interlocking tones. Notes in the upper and lower registers of the piano. Patterns that repeat, then subtly change. The […]
The room is covered in grass, including the walls and ceiling. The sound is louder now, and you walk towards it. It’s a soft and tender sound of someone slurping soup. But in a cute way.
The Heroines of Sound festival has always been dedicated to spotlighting women who push the frontiers of electronic music. By […]
Piotr Tkacz-Bielewicz: If you could choose a year that you were born in – which would that be and also where? […]
Dziś ujawniamy trzecią i ostatnią odsłonę numeru irańskiego. Znalazły się tu teksty Mehrdada Gholamiego o muzyce symfonicznej, Karoliny Cieślik-Jakubiak o scenie Tehrangeles […]
